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SUPPRESSION TO IDENTITY: A CRITICAL STUDY OF POSTCOLONIAL INDIAN WOMEN WRITERS IN ENGLISH
Subject area: Arts, Social Sciences and Humanities · Area of research: English
Abstract
In terms of literature, gender and sexuality have become prominent themes in the last decades of twentieth century. Literary traditions in most postcolonial nations have focused on writings by males. Women's narratives are either not included, or included as ?domestic fiction?, there by relegating them to a less-privileged space and ensuring that these narratives? political opinions are never taken seriously. Women?s fiction foregrounds issue of female identity and its constructions. One should not immediately assume that such writing ignores social and political problems in favor of psychological explorations of the woman?s condition. In women?s writing, many of these themes are presented in greater detail- given the larger canvas of the novel and the literary- aesthetic potential of social realism. Themes related to women can be studied under the following title: Gendered nations, Marriage and family, Body, desire, sexuality.
Keywords
psychological explorations, women's writing.
References
[1] Anita Desai, Cry the Peacock. New Delhi: Orient paper backs. 1995. Web, 5 May 2014. Choubey, Asha. The Fictional Milieu of Nayantara Sahgal. New Delhi: Classic Publishers, 2002. Web. 5 May 2014.
[2] Deshpande, Shashi. The Dark Holds No Terror. New Delhi: Vikas Publishing House, 1980.
[3] Moving On. New Delhi: Viking. 2004. Web 8 May 2014.
[4] Rich Like Us. New York: New Directions.1985. Web 5 May 2014.
[5] Mistaken Identity.London: Sceptre. 1989. web 5 May 2014.
[6] Fire on the Mountain. NewYork: Penguin.1982. web 4 May 2014.
[7] Jung, Anees. Unveiling India. Delhi: Penguin, 1987. Web 4 May 2014. Nayar, Pramod K.Postcolonial Literature: An Introduction. Pearson: Dorling Kindersley. 2008. Print.
[8] Pathak, R.S. “Beyond the He-Man Approach: The Expression of Feminine Sensibility in Anita Desai's Novels.” Feminism and Recent Fiction in English. Ed. Sushila Singh. New Dehli: Prestige Books. 1991.
[9] Surendran, K.V. Women’s Writing in India: New Perspectives.New Delhi: Sarup& Sons. 2002. Web. 8 May 2014.
How to cite this paper
@article{1700164,
author = {Bhukya Alwar Swamy},
title = {SUPPRESSION TO IDENTITY: A CRITICAL STUDY OF POSTCOLONIAL INDIAN WOMEN WRITERS IN ENGLISH},
journal = {Iconic Research And Engineering Journals},
year = {2017},
volume = {1},
number = {6},
pages = {93-97},
issn = {2456-8880},
url = {https://www.irejournals.com/formatedpaper/1700164.pdf},
abstract = {In terms of literature, gender and sexuality have become prominent themes in the last decades of twentieth century. Literary traditions in most postcolonial nations have focused on writings by males. Women's narratives are either not included, or included as ?domestic fiction?, there by relegating them to a less-privileged space and ensuring that these narratives? political opinions are never taken seriously. Women?s fiction foregrounds issue of female identity and its constructions. One should not immediately assume that such writing ignores social and political problems in favor of psychological explorations of the woman?s condition. In women?s writing, many of these themes are presented in greater detail- given the larger canvas of the novel and the literary- aesthetic potential of social realism. Themes related to women can be studied under the following title: Gendered nations, Marriage and family, Body, desire, sexuality.},
keywords = {psychological explorations, women's writing.},
month = {December},
}