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Sources of humour in MCA Tricky?s Comic Performances in the Churchill Show of Kenya
Subject area: Arts, Social Sciences and Humanities · Area of research: Literature
Abstract
This narrative takes readers on a whimsical journey through a parliamentary visit, where the intricacies of power dynamics, societal contradictions, language barriers, and authority perceptions are humorously depicted. The narrator's witty insights and interactions offer a fresh perspective, likening parliamentary proceedings to everyday street life, thus exposing the disparities between formal fa?ades and actual experiences. Through a blend of humor and astute observation, the narrative cleverly dissects social hierarchies, language obstacles, political dissent, and symbolic representations. By drawing from existing literature, the narrative skillfully transforms parliamentary elements into relatable scenarios, illuminating the interplay between power, culture, and identity. The second part of the narrative showcases the narrator's satirical attempt to engage with political power and societal dilemmas through a letter addressed to the president. Employing linguistic finesse and references, the narrator navigates complex social and political terrain, critiquing government initiatives and the plight of marginalized communities. The use of humor, allusions, and linguistic strategies effectively dissects social issues, power dynamics, and political discourse. Drawing from relevant literary works, this section underscores the narrator's adept communication tactics, revealing the interweaving of language, identity, and social critique. The third segment humorously delves into the national budget's impact on politics, society, and daily life. Employing satire, sarcasm, and wordplay, the narrator exposes the absurdities, inequalities, and contradictions of budget allocation, government expenditure, and public perception. Through this blend of satire, sarcasm, and linguistic ingenuity, the narrative shines a light on the intricate power dynamics and paradoxes inherent in budgetary decisions and public sentiment. A satirical reflection of society, the narrative urges readers to thoughtfully examine underlying issues of inequality, political rhetoric, and civic involvement.
Keywords
Sources, humour, MCA Tricky, comic performances, Churchill Show, Kenya
References
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[4] Foucault, M. (1977). Discipline and Punish: The Birth of the Prison. Vintage Books.
[5] Butler, J. (1997). The Psychic Life of Power: Theories in Subjection. Stanford University Press.
[6] Durkheim, E. (1912). The Elementary Forms of Religious Life. Free Press.
[7] Bakhtin, M. M. (1981). The Dialogic Imagination: Four Essays. University of Texas Press.
[8] Hall, S. (1996). Cultural identity and diaspora. In P. Williams & L. Chrisman (Eds.), Colonial Discourse and Post-Colonial Theory: A Reader (pp. 392-403). Columbia University Press.
[9] Grice, H. P. (1975). Logic and conversation. In P. Cole & J. L. Morgan (Eds.), Syntax and Semantics: Speech Acts (Vol. 3, pp. 41-58). Academic Press.
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[12] Bakhtin, M. M. (1981). The Dialogic Imagination: Four Essays. University of Texas Press.
[13] Hall, S. (1980). Encoding and Decoding in the Television Discourse. Centre for Contemporary Cultural Studies, University of Birmingham.
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[18] Butler, J. (1997). The Psychic Life of Power: Theories in Subjection. Stanford University Press.
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How to cite this paper
@article{1704951,
author = {Sylvia Rabecca Nekesa, Joseph Musungu, Felix Orina},
title = {Sources of humour in MCA Tricky?s Comic Performances in the Churchill Show of Kenya},
journal = {Iconic Research And Engineering Journals},
year = {2023},
volume = {7},
number = {2},
pages = {127-133},
issn = {2456-8880},
url = {https://www.irejournals.com/formatedpaper/1704951.pdf},
abstract = {This narrative takes readers on a whimsical journey through a parliamentary visit, where the intricacies of power dynamics, societal contradictions, language barriers, and authority perceptions are humorously depicted. The narrator's witty insights and interactions offer a fresh perspective, likening parliamentary proceedings to everyday street life, thus exposing the disparities between formal fa?ades and actual experiences. Through a blend of humor and astute observation, the narrative cleverly dissects social hierarchies, language obstacles, political dissent, and symbolic representations. By drawing from existing literature, the narrative skillfully transforms parliamentary elements into relatable scenarios, illuminating the interplay between power, culture, and identity. The second part of the narrative showcases the narrator's satirical attempt to engage with political power and societal dilemmas through a letter addressed to the president. Employing linguistic finesse and references, the narrator navigates complex social and political terrain, critiquing government initiatives and the plight of marginalized communities. The use of humor, allusions, and linguistic strategies effectively dissects social issues, power dynamics, and political discourse. Drawing from relevant literary works, this section underscores the narrator's adept communication tactics, revealing the interweaving of language, identity, and social critique. The third segment humorously delves into the national budget's impact on politics, society, and daily life. Employing satire, sarcasm, and wordplay, the narrator exposes the absurdities, inequalities, and contradictions of budget allocation, government expenditure, and public perception. Through this blend of satire, sarcasm, and linguistic ingenuity, the narrative shines a light on the intricate power dynamics and paradoxes inherent in budgetary decisions and public sentiment. A satirical reflection of society, the narrative urges readers to thoughtfully examine underlying issues of inequality, political rhetoric, and civic involvement.},
keywords = {Sources, humour, MCA Tricky, comic performances, Churchill Show, Kenya},
month = {August},
}