International Peer-Reviewed Journal•Open Access•ISSN 2456-8880
irejournals@gmail.com•+91-7433024337

Home / Current Issue / Paper 1718813

1718813 Vol 9 · Issue 12 Download Paper

Evaluation of Exhibition Space Design in Selected Museums in South-Western Nigeria

Olutoye Toluwanimi Caleb Oyadokun Joel Olufemi Adesola Folarin Samuel Ayejuyo Oreofe Olaotan Ibiojo Ayomide Perpetual

Subject area: Science,Engineering and Technology  ·  Area of research: Exhibition Space Design in Museums

DOI: 10.64388/IREV9I12-1718813

Abstract

Museums play a vital role in preserving cultural heritage, interpreting collective memory, and creating spaces where knowledge is experienced rather than merely observed. In well-designed exhibition spaces, artifacts are not only protected but also given meaning through spatial organization, interpretive media, and the overall quality of the visitor environment. When these elements are poorly conceived, museums can become difficult to navigate, less engaging, and less effective in communicating cultural narratives. The experience of a museum therefore depends not just on what is displayed, but on how the exhibition space itself is designed to support learning, comfort, and cultural connection. Therefore, this study evaluates exhibition space design in selected museums in South-Western Nigeria with the aim of developing design and improving on visitor perception, interpretive media, visitor intention and recommendation intentions within museum exhibition environments. A mixed-method research approach involving case studies, observation, and questionnaire surveys was adopted. Data were collected from 350 respondents across selected museums namely National Museum, Lagos, National Museum of Unity, Ibadan, Yemisi Shyllon Museum of Art, John Randle Centre for Yoruba Culture and History, and National Museum, Akure, and the data collected were analyzed using descriptive and inferential statistics. Findings reveal that while museums generally perform well in narrative clarity and interpretive communication, significant deficiencies exist in circulation planning, accessibility, seating provision, interactive technologies, and multilingual interpretation. Visitor satisfaction was also found to be significantly influential in recommendation and revisit intentions. The study concludes that museum exhibition environments in Nigeria require more visitor-centered, culturally responsive, and technologically adaptive design strategies.

Keywords

Exhibition Spaces, Museum Architecture, Visitor Experience, Interpretive Media, Cultural Heritage.

References

[1] Aderonmu, P., Adesipo, A., Erebor, E., Adeniji, A., & Ediae, O. (2019). Assessment of daylighting designs in the selected museums of South-West Nigeria: A focus on the integrated relevant energy efficiency features. IOP Conference Series: Materials Science and Engineering, 640, 012034.

[2] Architectural Digest. (2024). Inside artist Yinka Shonibare’s Lagos retreat for creatives. Architectural Digest. https://www.architecturaldigest.com/gallery/inside-artist-yinka-shonibares-lagos-retreat-for-creatives

[3] Art Review (2021). What the ‘White Cube’ means now. ArtReview.

[4] Bitgood, S. (2013). Attention and value: Keys to understanding museum visitors. Left Coast Press.

[5] Bizot Green Working Group. (2023). Bizot Green Protocol: Handbook 1 – Adoptig the Bizot Green Guidelines. Bizot Green/ CIMAM.

[6] Black, G. (2012). Transforming museums in the twenty-first century. Routledge.

[7] Cuno, J. (2011). Museums matter: In praise of the encyclopedic museum. University of Chicago Press.

[8] Dehghan, S. K. (2024). Noisy, performative and unapologetically non-European: Nigeria welcomes a museum like no other. The Guardian.

[9] Falk, J. H., & Dierking, L. D. (2000). Learning from museums: Visitor experiences and the making of meaning. AltaMira Press.

[10] Falk, J. H., & Dierking, L. D. (2016). The Museum Experience Revisited. Routledge. https://doi.org/10.4324/9781315417851

[11] Giaccardi, E. (Ed.). (2012). Heritage and social media: Understanding heritage in a participatory culture. Routledge.

[12] Hooper-Greenhill, E. (2000). Museums and the interpretation of visual culture. Routledge.

[13] ICCROM. (2018). RE-ORG National Museum of Unity, Ibadan, Nigeria: Reconnecting with collections to right the wrong. International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM) & National Commission for Museums and Monuments.

[14] Kunle, A. M. (2024). Evaluation of space adequacy and its impact on users’ experiences in the art exhibition centre in Nigeria. International Journal of Multidisciplinary Research and Growth Evaluation, 5(2), 354–357.

[15] Lord, B., & Piacente, M. (2014). Manual of museum exhibitions. Rowman & Littlefield.

[16] Massola, C. (2023). Community collections: Returning to an (un)imagined future. Museum Anthropology, 46(1), 59–69. https://doi.org/10.1111/muan.12267

[17] McKercher, B., & du Cros, H. (2002). Cultural tourism: The partnership between tourism and cultural heritage management. Haworth Press.

[18] Nike Art Foundation. (n.d.). About. https://nikeartfoundation.com/

[19] O’Doherty, B. (1999). Inside the white cube: The ideology of the gallery space (Expanded ed.). University of California Press.

[20] Parry, R. (2007). Recoding the museum: Digital heritage and the technologies of change. Routledge.

[21] Sandell, R. (2007). Museums, prejudice and the reframing of difference. Routledge.

[22] Simon, N. (2010). The participatory museum. Museum 2.0.

[23] Sogbesan, O. Z. (2022). Museums in the era of decolonisation: The Nigerian perspective. Museologica Brunensia, 11(1), 10–22. https://doi.org/10.5817/MuB2022-1-2

How to cite this paper

Olutoye Toluwanimi Caleb, Oyadokun Joel Olufemi, Adesola Folarin Samuel, Ayejuyo Oreofe Olaotan, Ibiojo Ayomide Perpetual "Evaluation of Exhibition Space Design in Selected Museums in South-Western Nigeria" Iconic Research And Engineering Journals Volume 9 Issue 12 2026 Page 1634-1641 https://doi.org/10.64388/IREV9I12-1718813
Olutoye Toluwanimi Caleb, Oyadokun Joel Olufemi, Adesola Folarin Samuel, Ayejuyo Oreofe Olaotan, Ibiojo Ayomide Perpetual "Evaluation of Exhibition Space Design in Selected Museums in South-Western Nigeria" Iconic Research And Engineering Journals, vol. 9, no. 12, Jun. 2026, doi: https://doi.org/10.64388/IREV9I12-1718813
Olutoye Toluwanimi Caleb, Oyadokun Joel Olufemi, Adesola Folarin Samuel, Ayejuyo Oreofe Olaotan, Ibiojo Ayomide Perpetual (2026). Evaluation of Exhibition Space Design in Selected Museums in South-Western Nigeria. Iconic Research And Engineering Journals, 9(12). doi: https://doi.org/10.64388/IREV9I12-1718813
Olutoye Toluwanimi Caleb, Oyadokun Joel Olufemi, Adesola Folarin Samuel, Ayejuyo Oreofe Olaotan, Ibiojo Ayomide Perpetual "Evaluation of Exhibition Space Design in Selected Museums in South-Western Nigeria" Iconic Research And Engineering Journals, vol. 9, no. 12, Jun. 2026. Crossref, https://doi.org/10.64388/IREV9I12-1718813
@article{1718813,
      author = {Olutoye Toluwanimi Caleb, Oyadokun Joel Olufemi, Adesola Folarin Samuel, Ayejuyo Oreofe Olaotan, Ibiojo Ayomide Perpetual},
      title = {Evaluation of Exhibition Space Design in Selected Museums in South-Western Nigeria},
      journal = {Iconic Research And Engineering Journals},
      year = {2026},
      volume = {9},
      number = {12},
      pages = {1634-1641},
      issn = {2456-8880},
      url = {https://www.irejournals.com/formatedpaper/1718813.pdf},
      abstract = {Museums play a vital role in preserving cultural heritage, interpreting collective memory, and creating spaces where knowledge is experienced rather than merely observed. In well-designed exhibition spaces, artifacts are not only protected but also given meaning through spatial organization, interpretive media, and the overall quality of the visitor environment. When these elements are poorly conceived, museums can become difficult to navigate, less engaging, and less effective in communicating cultural narratives. The experience of a museum therefore depends not just on what is displayed, but on how the exhibition space itself is designed to support learning, comfort, and cultural connection. Therefore, this study evaluates exhibition space design in selected museums in South-Western Nigeria with the aim of developing design and improving on visitor perception, interpretive media, visitor intention and recommendation intentions within museum exhibition environments.  A mixed-method research approach involving case studies, observation, and questionnaire surveys was adopted. Data were collected from 350 respondents across selected museums namely National Museum, Lagos, National Museum of Unity, Ibadan, Yemisi Shyllon Museum of Art, John Randle Centre for Yoruba Culture and History, and National Museum, Akure, and the data collected were analyzed using descriptive and inferential statistics.  Findings reveal that while museums generally perform well in narrative clarity and interpretive communication, significant deficiencies exist in circulation planning, accessibility, seating provision, interactive technologies, and multilingual interpretation. Visitor satisfaction was also found to be significantly influential in recommendation and revisit intentions.  The study concludes that museum exhibition environments in Nigeria require more visitor-centered, culturally responsive, and technologically adaptive design strategies.},
      keywords = {Exhibition Spaces, Museum Architecture, Visitor Experience, Interpretive Media, Cultural Heritage.},
      month = {June},
      doi = {https://doi.org/10.64388/IREV9I12-1718813}
  }