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1723588 Vol 10 · Issue 4 Download Paper

Patriarchal Structures in Nawal El Saadawi’s God Dies by the Nile

Uka, Nkemdirim Carol Prof. Gloria Eme Worugji

Subject area: Arts, Social Sciences and Humanities  ·  Area of research: Gender

DOI: 10.64388/IREV10I4-1723588

Abstract

This study investigates the representation of patriarchal structures in Nawal El Saadawi’s God Dies by the Nile, focusing on how political authority, religious manipulation, gendered violence, and socio-economic inequality collectively sustain the oppression of women. Set in the rural Egyptian community of Kafr El-Teen, the novel depicts patriarchy as an institutionalised system reinforced by political power, cultural expectations, economic deprivation, and the manipulation of religious beliefs, rather than as mere individual male domination. Employing womanism as its primary theoretical framework, the study analyses the experiences of Zakeya and other female characters to reveal the interconnectedness of gender and class oppression. The analysis demonstrates that El Saadawi illustrates how powerful male figures exploit social institutions to legitimise their authority, silence women, and suppress challenges to established structures of domination. Simultaneously, the novel portrays women as individuals capable of awareness, resistance, solidarity, and confrontation, rather than as passive victims. The findings indicate that God Dies by the Nile presents women’s liberation as inseparable from broader social transformation. The study concludes that El Saadawi’s critique of patriarchy extends beyond gender relations to interrogate political corruption, economic exploitation, institutional injustice, and the ideological structures that perpetuate inequality. Through this representation, the novel advocates for a society based on justice, equality, human dignity, and the recognition of women as autonomous participants in social life.

Keywords

Patriarchy, Womanism, Gender Oppression, Religious Manipulation, Political Power, Gendered Violence, Social Inequality, Nawal El Saadawi.

How to cite this paper

Uka, Nkemdirim Carol, Prof. Gloria Eme Worugji "Patriarchal Structures in Nawal El Saadawi’s God Dies by the Nile" Iconic Research And Engineering Journals Volume 10 Issue 4 2026 Page 138-146 https://doi.org/10.64388/IREV10I4-1723588
Uka, Nkemdirim Carol, Prof. Gloria Eme Worugji "Patriarchal Structures in Nawal El Saadawi’s God Dies by the Nile" Iconic Research And Engineering Journals, vol. 10, no. 4, Oct. 2026, doi: https://doi.org/10.64388/IREV10I4-1723588
Uka, Nkemdirim Carol, Prof. Gloria Eme Worugji (2026). Patriarchal Structures in Nawal El Saadawi’s God Dies by the Nile. Iconic Research And Engineering Journals, 10(4). doi: https://doi.org/10.64388/IREV10I4-1723588
Uka, Nkemdirim Carol, Prof. Gloria Eme Worugji "Patriarchal Structures in Nawal El Saadawi’s God Dies by the Nile" Iconic Research And Engineering Journals, vol. 10, no. 4, Oct. 2026. Crossref, https://doi.org/10.64388/IREV10I4-1723588
@article{1723588,
      author = {Uka, Nkemdirim Carol, Prof. Gloria Eme Worugji},
      title = {Patriarchal Structures in Nawal El Saadawi’s God Dies by the Nile},
      journal = {Iconic Research And Engineering Journals},
      year = {2026},
      volume = {10},
      number = {4},
      pages = {138-146},
      issn = {2456-8880},
      url = {https://www.irejournals.com/formatedpaper/1723588.pdf},
      abstract = {This study investigates the representation of patriarchal structures in Nawal El Saadawi’s God Dies by the Nile, focusing on how political authority, religious manipulation, gendered violence, and socio-economic inequality collectively sustain the oppression of women. Set in the rural Egyptian community of Kafr El-Teen, the novel depicts patriarchy as an institutionalised system reinforced by political power, cultural expectations, economic deprivation, and the manipulation of religious beliefs, rather than as mere individual male domination. Employing womanism as its primary theoretical framework, the study analyses the experiences of Zakeya and other female characters to reveal the interconnectedness of gender and class oppression. The analysis demonstrates that El Saadawi illustrates how powerful male figures exploit social institutions to legitimise their authority, silence women, and suppress challenges to established structures of domination. Simultaneously, the novel portrays women as individuals capable of awareness, resistance, solidarity, and confrontation, rather than as passive victims. The findings indicate that God Dies by the Nile presents women’s liberation as inseparable from broader social transformation. The study concludes that El Saadawi’s critique of patriarchy extends beyond gender relations to interrogate political corruption, economic exploitation, institutional injustice, and the ideological structures that perpetuate inequality. Through this representation, the novel advocates for a society based on justice, equality, human dignity, and the recognition of women as autonomous participants in social life.},
      keywords = {Patriarchy, Womanism, Gender Oppression, Religious Manipulation, Political Power, Gendered Violence, Social Inequality, Nawal El Saadawi.},
      month = {October},
      doi = {https://doi.org/10.64388/IREV10I4-1723588}
  }