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Fashion Styling as Visual Storytelling: Audience Perception and Its Role in Contemporary
Subject area: Arts, Social Sciences and Humanities · Area of research: Fashion Styling
DOI: 10.64388/IREV10I4-1723837
Abstract
Fashion styling is commonly treated as an aesthetic practice, yet its function extends to the construction and communication of visual meaning. This study examines fashion styling as a form of visual storytelling and investigates how audiences perceive its ability to communicate narratives, emotions, identity, and brand messages without relying on written language. A descriptive, survey-based design was employed using an online questionnaire completed by 105 respondents drawn from students, fashion professionals, and general audiences through convenience sampling. The questionnaire addressed demographic characteristics, awareness of fashion styling, styling and storytelling, and interpretation and perception. Descriptive statistics were used for closed-ended responses, while thematic interpretation was applied to open-ended responses. The findings show strong audience recognition of styling as a narrative device: 92.4% of respondents agreed that fashion styling can communicate a story without words. Clothing was identified as the most influential storytelling element (91.4%), followed by color palette (57.1%) and accessories (50.5%). In addition, 58.1% reported emotional connection with styled images without text, while 89.5% considered styling very important for communicating brand messages or themes. Most respondents also acknowledged that cultural and personal experience shapes interpretation and that different audiences may read the same visual differently. The study positions fashion styling as an important interface between aesthetic design, visual communication, and audience interpretation.
Keywords
fashion styling; visual storytelling; visual communication; fashion imagery; audience perception; brand communication; emotional response; cultural interpretation
References
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How to cite this paper
@article{1723837,
author = {Aysha Siddika Asma, MD Shihab Uddin},
title = {Fashion Styling as Visual Storytelling: Audience Perception and Its Role in Contemporary},
journal = {Iconic Research And Engineering Journals},
year = {2026},
volume = {10},
number = {4},
pages = {1780-1791},
issn = {2456-8880},
url = {https://www.irejournals.com/formatedpaper/1723837.pdf},
abstract = {Fashion styling is commonly treated as an aesthetic practice, yet its function extends to the construction and communication of visual meaning. This study examines fashion styling as a form of visual storytelling and investigates how audiences perceive its ability to communicate narratives, emotions, identity, and brand messages without relying on written language. A descriptive, survey-based design was employed using an online questionnaire completed by 105 respondents drawn from students, fashion professionals, and general audiences through convenience sampling. The questionnaire addressed demographic characteristics, awareness of fashion styling, styling and storytelling, and interpretation and perception. Descriptive statistics were used for closed-ended responses, while thematic interpretation was applied to open-ended responses. The findings show strong audience recognition of styling as a narrative device: 92.4% of respondents agreed that fashion styling can communicate a story without words. Clothing was identified as the most influential storytelling element (91.4%), followed by color palette (57.1%) and accessories (50.5%). In addition, 58.1% reported emotional connection with styled images without text, while 89.5% considered styling very important for communicating brand messages or themes. Most respondents also acknowledged that cultural and personal experience shapes interpretation and that different audiences may read the same visual differently. The study positions fashion styling as an important interface between aesthetic design, visual communication, and audience interpretation.},
keywords = {fashion styling; visual storytelling; visual communication; fashion imagery; audience perception; brand communication; emotional response; cultural interpretation},
month = {October},
doi = {https://doi.org/10.64388/IREV10I4-1723837}
}