The Power of Imagery in African Poetry: An Analytical Study of Philip Abayomi Olorunfemi?s Works

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@article{1712351,
      author = {Philip Abayomi Olorunfemi, Ude Ezeali Onu, Mariam Abisola Akinloye},
      title = {The Power of Imagery in African Poetry: An Analytical Study of Philip Abayomi Olorunfemi?s Works},
      journal = {Iconic Research And Engineering Journals},
      year = {2025},
      volume = {9},
      number = {5},
      pages = {2522-2531},
      issn = {2456-8880},
      url = {https://www.irejournals.com/formatedpaper/1712351.pdf},
      abstract = {This study examined the effectiveness of imagery in African poetry, with a specific focus on works written by Philip Abayomi Olorunfemi, a Nigerian poet. Through a close reading of 26 selected poems, the study reveals how Olorunfemi employs vivid and evocative imagery to express complex themes, emotions, and ideas that reflect African identity, cultural heritage and the beliefs of Africans on reality and metaphysical power. The analysis demonstrates that imagery serves as a powerful tool in African poetry which enables poets to tap into the rich cultural heritage and collective experiences of their communities. The study argues that visual, sonic, and cosmological images braid three persistent strands of African literary work most especially poetry: (1) the oral-aesthetic inheritance of Yor?b? art and performance (?r?k?, ???, and mythopoesis); (2) the city-text of Lagos as both pressure and possibility; and (3) a civic ethics that leverages image-patterns of stone and river, veil and wound, market and mask to dramatize injustice, love, mortality, and political memory. This study contributes to the growing body of scholarship on African poetry and high spots the significance of imagery in shaping the literary landscape of the continent of Africa.},
      keywords = {Imagery, Cultural Identity, African Poetry, Supernatural Power, Cultural Heritage, Literature},
      month = {November},
      doi = {https://doi.org/10.64388/IREV9I5-1712351}
  }