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The Contemporary Cameroon Woman and The Politics of Leverage: An African Womanist Reading of Alobwed’ Epie’s Until I Sinned

Guillian Leke Asong, PhD

Subject area: Arts, Social Sciences and Humanities  ·  Area of research: Cameroon Literature

DOI: https://doi.org/10.64388/IREV9I9-1715089

Abstract

This paper examines the politics of leverage, illustrating how the contemporary Cameroon woman navigates constraints to reshape and project her social identities in Alobwed’ Epie’s Until I Sinned. The paper aims to analyse how the modern Cameroon woman, conscious of her social and cultural realities, harnesses submission, loyalty, and generosity to assert autonomy, uplift herself, for the advancement of her family and community. In conventional narratives, the Cameroon woman is depicted as silenced, marginalised, and often persistently subjected to the intersecting pressures of colonial legacies and entrenched patriarchal norms. Contrary to these literary and visual representations, she emerges as assertive and complex by resisting the reductive labels of innocence, naivety and challenging the assumptions embedded in some penned and oral literatures. This paper also illuminates how the woman, engages in fervent denial to construct the church, while simultaneously leveraging her devotion to create opportunities for social and personal development. Despite patriarchal oppression, she transforms her position, and actively reconstructs the distorted identity imposed by social norms and circumstances. The study is articulated through the lens of Clenora Hudson Weem’s Africana Womanist theory. Through this framework, the study demonstrates how Epie’s protagonist, seeks emancipation and liberation, similar to other feminist analyses, but through a distinct approach. She adopts a non-confrontational strategy by aligning with men, exploring these alliances as mechanisms to achieve her objectives. Epie spots the resourcefulness of the Cameroon woman, irrespective of religion and demonstrates how she –who comprehends the politics of her environment – uses them as an asset. This paper argues that, notwithstanding the naive appearances, the contemporary Cameroon woman actively reshapes prevailing narratives, moving from passive recipients to active participants, with the aim of attaining fulfilment through leverage.

Keywords

Cameroon Woman, leverage, agency, Catholicism, African Womanism.

References

[1] Allon, Fiona. “Everyday Leverage or Leveraging the Everyday”. Cultural Studies. Vol. 29, Nos. 5-6, 2015, pp. 687 – 706.

[2] Cambridge Dictionary Online. “Lever/ English Meaning”. https://dictionary.cambridge.org. Accessed on 9 February 2026.

[3] Diocese of Charleston. “Policies and Guidelines for Ministry with Youth”. South Carolina: Diocese of Charleston, 2007.

[4] Epie, Alobwed’. Until I Sinned. Yaoundé: Miraclaire Publishing, 2014.

[5] Fleo 237. “Sarah Etonge: I did not go to School”. Online Video Clip https://facebook.com/share/r/1EXcvT9Xku/. Accessed on 22 February 2026.

[6] Fonyuy, Bulami Edward. “The Restitution Journey of Ngonnso Kingdom in Cameroon”. https://openrestitution.africa Accessed on 9 March 2026.

[7] Goheen, Miriam. Men Own the Fields, Women Own the Crops. Wisconsin: The University of Wisconsin Press, 1996.

[8] Harding, Sandra. “Introduction: Standpoint Theory as a Site of Political, Philosophic, and Scientific Debate”. In The Feminist Standpoint Theory Reader: Intellectual and Political Controversies. Edited by Harding Sandra. New York: Routledge, 2004, pp. 1-17.

[9] Ivan-Smith, Edda. “Introduction”. In Women in Sub-Saharan Africa: The Minority Rights Group Report No. 77. Edited by Ivan-Smith, Edda, Tandon Nidhi and Connors Jane. London: Expedite Graphic Limited, 1988.

[10] Lebeuf, Annie M. D. “Women in Political Organization”. In Women of Tropical Africa. Ed. Paulme Denis. Trans. Wright H.M. London: Routledge and Kegan Paul Ltd, 1963, pp. 93 -119.

[11] McQuillian Julia, Greil Arthur L., Scheffler Karina M. and Tichenor Veronica. “The Importance of Motherhood among Women in Contemporary United States”. Gend Soc. Vol. 1, Issue 22, No. 4. 2008, pp. 477-496.

[12] Mai, Tah Javis. “Combating Fake Certificates in Cameroon: What Measures Must be Taken? www.youtube.com/@mediagroup2589. Accessed on 11 February 2026.

[13] Martin, Mike W. Love’s Virtues. Kansas: University Press of Kansas, 1996.

[14] Missing Etame Agnes and Bunda-Nekang. “Power Dialectics and the Advocacy of Women’s Rights in Osonye Tess Onwueme’s Then She Said it and Perpetua Nkamanyang Lola’s The Lock on My Lips” in Frontiers of Literary and Linguistic Discourses: Papers in Honour of Professor John Nkemngong Nkengasong. Edited by Fondze-Fombele Eunice F., Lum Mary Louisa and Ngantu Judith K. Miraclaire Publishing, 2025, pp. 91 – 121.

[15] National Institute of Statistic and Ministry of Women’s Empowerment and Family. “Women and Men: Girls and Boys in Cameroon”. https://ins-cameroon.cm. Accessed on 9 March 2026.

[16] Ncham Nagi Killian and Ngwa Canute A. “Female Traditional Militancy in the Bamenda Grassfields: The Case of ‘Anlu’ of the Kom Fondom, 1928-1972”. Afo-a-Kom Journal of Culture and Visual Arts, Vol. 5, No. 1, 2019, pp. 131 – 149.

[17] Ndonibi, Rita. “Africana Womanist Perspective in the Selected Works of African Women Novelist/ Writers”. Open Journal of Social Science, Vol. 11, 2023, pp 404 – 416.

[18] Ngongkum, Eunice. “‘A Crushing Curse’: Widowhood in Contemporary Anglophone Cameroon Literature”. Tydskrif Vir Letterkunde. Vol. 53, Issue 1, 2016, pp. 138 – 148.

[19] Weems, Clenora Hudson. Africana Womanism: Reclaiming Ourselves. (6 th ed.). New York: Routledge, 2024.

How to cite this paper

Guillian Leke Asong, PhD "The Contemporary Cameroon Woman and The Politics of Leverage: An African Womanist Reading of Alobwed’ Epie’s Until I Sinned" Iconic Research And Engineering Journals Volume 9 Issue 9 2026 Page 1068-1077 https://doi.org/10.64388/IREV9I9-1715089
Guillian Leke Asong, PhD "The Contemporary Cameroon Woman and The Politics of Leverage: An African Womanist Reading of Alobwed’ Epie’s Until I Sinned" Iconic Research And Engineering Journals, vol. 9, no. 9, Mar. 2026, doi: https://doi.org/10.64388/IREV9I9-1715089
Guillian Leke Asong, PhD (2026). The Contemporary Cameroon Woman and The Politics of Leverage: An African Womanist Reading of Alobwed’ Epie’s Until I Sinned. Iconic Research And Engineering Journals, 9(9). doi: https://doi.org/10.64388/IREV9I9-1715089
Guillian Leke Asong, PhD "The Contemporary Cameroon Woman and The Politics of Leverage: An African Womanist Reading of Alobwed’ Epie’s Until I Sinned" Iconic Research And Engineering Journals, vol. 9, no. 9, Mar. 2026. Crossref, https://doi.org/10.64388/IREV9I9-1715089
@article{1715089,
      author = {Guillian Leke Asong, PhD},
      title = {The Contemporary Cameroon Woman and The Politics of Leverage: An African Womanist Reading of Alobwed’ Epie’s Until I Sinned},
      journal = {Iconic Research And Engineering Journals},
      year = {2026},
      volume = {9},
      number = {9},
      pages = {1068-1077},
      issn = {2456-8880},
      url = {https://www.irejournals.com/formatedpaper/1715089.pdf},
      abstract = {This paper examines the politics of leverage, illustrating how the contemporary Cameroon woman navigates constraints to reshape and project her social identities in Alobwed’ Epie’s Until I Sinned. The paper aims to analyse how the modern Cameroon woman, conscious of her social and cultural realities, harnesses submission, loyalty, and generosity to assert autonomy, uplift herself, for the advancement of her family and community. In conventional narratives, the Cameroon woman is depicted as silenced, marginalised, and often persistently subjected to the intersecting pressures of colonial legacies and entrenched patriarchal norms. Contrary to these literary and visual representations, she emerges as assertive and complex by resisting the reductive labels of innocence, naivety and challenging the assumptions embedded in some penned and oral literatures. This paper also illuminates how the woman, engages in fervent denial to construct the church, while simultaneously leveraging her devotion to create opportunities for social and personal development. Despite patriarchal oppression, she transforms her position, and actively reconstructs the distorted identity imposed by social norms and circumstances. The study is articulated through the lens of Clenora Hudson Weem’s Africana Womanist theory. Through this framework, the study demonstrates how Epie’s protagonist, seeks emancipation and liberation, similar to other feminist analyses, but through a distinct approach. She adopts a non-confrontational strategy by aligning with men, exploring these alliances as mechanisms to achieve her objectives. Epie spots the resourcefulness of the Cameroon woman, irrespective of religion and demonstrates how she –who comprehends the politics of her environment – uses them as an asset. This paper argues that, notwithstanding the naive appearances, the contemporary Cameroon woman actively reshapes prevailing narratives, moving from passive recipients to active participants, with the aim of attaining fulfilment through leverage.},
      keywords = {Cameroon Woman, leverage, agency, Catholicism, African Womanism.},
      month = {March},
      doi = {https://doi.org/10.64388/IREV9I9-1715089}
  }